The enduring power of the printed word in a digital age.
Founded in 2014, BlanchettePress is a sanctuary for tactile design, dedicated to preserving the artisanal integrity of bookmaking.
Plate setting in our Montréal studio, captured by Julian Blanchette.
EST. 2014
Our Philosophy
In an era of fleeting digital streams, we believe in the permanence of the physical object. A book is more than a container for information; it is a weight, a scent, a texture, and a legacy.
Tactility
The grain of 120gsm cotton paper, the bite of letterpress into the sheet — these are sensory experiences that digital interfaces cannot replicate.
Permanence
Data rots; ink endures. We design for the century, not the scroll, ensuring every publication stands the test of archival time.
"Print is the only medium that demands the full attention of the hands, the eyes, and the mind simultaneously."— Elena Voss, Co-Founder
The Founders
Elena Voss
Creative Director
A graduate of the Royal College of Art, Elena's vision for BlanchettePress is rooted in the intersection of Swiss grid systems and organic material experimentation.
Julian Blanchette
Master Printer
Julian represents the fourth generation of the Blanchette printing lineage. His expertise lies in rare ink formulations and the restoration of Victorian-era letterpress machinery.
From Ink to Paper
Curation
Selecting typography that speaks to the spirit of the text, often commissioning bespoke revivals of forgotten historical faces.
Substrate
Sourcing handmade paper from mills in Amalfi and the Japanese Alps, choosing weights that complement the narrative's gravity.
The Impression
Execution via letterpress or high-fidelity offset, where temperature and humidity are monitored like a fine laboratory.
Typography
Playfair Display, Source Serif 4, Inter. Set for maximum legibility and historical resonance.
Stock
Simulated on digital parchment with 5% opacity organic noise texture.
Published
Autumn Edition, 2026. Updated Bi-annually.
Location
Montréal Studio & Archive